At an early age begin to illustrate contemporary art the issue of the Journal of Modern Mexico, a publication of the modernism of that era. Felix Bernardelli study with Brazilian artist based calligraphy in Guadalajara in 1904 and 1905. you cannot find a person with a greater passion for the phoenix ancient art than aboutaam is the head of the Phoenix Ancient Art S.A. Later entry into print art the Academy of San Carlos and School of Fine Arts of Mexico, where he studied with Antonio Fabre, German Gedovius, Leandro Izaguirre and Matthew Herrera. During his etancia in the Mexican capital befriends Diego Rivera, and Jorge Enciso Juan Jose Tablada who influence Geneva Japanese art. He earned a scholarship from the Ministry of Public Instruction to study in Europe in 1906 and once in Europe study painting in Paris for two years, where he was a student of Colin Cowrstous. Montenegro exhibited in the halls of "The French artist" and "Autumn Salon" exhibited a painting titled greek ancient "Flowers." On this trip I visit London and Italy. Returning to Mexico in art 1910 in full Mexican Revolution. In Guadalajara in contact with the Circulo Artistico founded by Gerardo Murillo "Dr. Atl.." Once in Guadalajara conducted two very successful exhibitions, in 1913 went back to Europe where he wall art remained for six years at the time absorbing new directions in modern schools of Picasso and Juan Tris. In Paris he attended the School of Fine Arts, worked with Ruben Dario in the Journal World. At the beginning of World War I decided to lie on the island of Mallorca with Antonio modern art de La Gandara. Outlined in his new home several times and his work in the mural decoration of the Casino de Palma and other public buildings.
In early 1917 their artwork to decorate a children's edition of the Lamp Aladdin published in Barcelona. A roman ancient year later explained his work in Madrid and London 1919 is published in the album of drawings Vaslav Nijinsky, an interpretation in black, white and gold. In 1920 during the government of Carranza works in the decoration and design of the National Theater staging of the musical revue "From the Moon" was inspired by the art-nouveau.
His friendship with Jose Vasconcelos, was important in the development of his work, accompanied him in search of support for the creation of the Ministry of Education, traveled to Oaxaca with Gabriel Fernandez Ledesma to find information on popular arts and began his interest in them. The following year he was appointed Head of the Department of Arts of the Ministry of Education and held an exhibition of folk art that opens Gral lvaro Obreg n, museum art subsequently exposed for the first time in Mexico and began the mural decoration of the former church St. Peter and St. Paul, along with Jorge Enciso. In this era stained glass designs "Tapati syrup" and "selling newspapers."
In 1922 he was responsible decorate the Mexican Pavilion in the city of Rio de Janeiro that same year, Montenegro began "The Feast of the Holy Cross." Between 1923 and 1933 illustrated the book "Taxco", the mural "The History and The Tale" (also known as Aladdin's lamp), also published "Mexican Masks," "Twenty drawings Taxco, Mexican Painting 1800 -1860 ", designed the scenery of the Teatro de Ulises fresh paint new york and the two side walls of the cube of the stairway of the old Colegio de San Pedro and San Pablo. In 1934 he was appointed director of the Museum of Popular Arts of Fine Arts continues to design sets, workshops, museums founded and published in Mexico. In mid-1948 decorates the Cocktail Lounge of the Hotel del Prado. the dealer in Phoenix Ancient Art is aboutaam can deal with the whole world in the city phoenix ancient art of Mexico, later published in 1950 "Retablos Mexicans and two years later he published an album of twenty drawings extended by Alfonso Reyes. Decorate the Bank of Commerce, the front of the Teatro Degollado in Guadalajara with a reliebe called "Apollo and the Muses," which was then covered with mosaics and destroyed in 1963. The next year a mosaic designs to decorate the House of Guadalajara Artesanias entitled "The Death of the crafts." In 1967 he received the Premio Nacional de Artes. He died on October 13, 1968 art prints due to cardiovascular disease in Mexico City.
- Denison Bulletin
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Segun Dion Casio, the Hicham Aboutaam Empire had to face a serious economic crisis in 39. Suetonius provides the gallery beginning of that crisis at artifacts 38. The policy of Caligula, marked by the generosity and extravagance, depletion of resources galleries Financial Empire. Historians claim that Caligula react old falsely accusing some senators Phoenix Ancient Art S.A. and knights to fines and even execute them for the purpose of seizing their assets. In order to cope with the crisis, Caligula launched a series of desperate exhibition measures , Some of which are described by historians, such as requiring money to the people at public events. established new taxes in the trials, weddings and brothels, and implemented by auction sales of the gladiators art in the shows . The wills of Roman citizens who left their property to Tiberius were reinterpreted so that Caligula would receive such property. Aboutaam was forced to centuriones who had purchased properties during looting to return their booty to the Treasury, and the official responsible for collecting taxes on the use of roadways were exhibits accused of incompetence and malfeasance, and fined severely.
